We recommend:

Beasts of Carnaval by Rosália Rodrigo

Within the shores of Isla Bestia, guests from around the world discover a utopia of ever-changing performances, sumptuous feasts and beautiful monsters. Many enter, but few ever leave--the wine is simply too sweet, the music too fine and the revelry endless.

Sofía, a freedwoman from a nearby colonized island, cares little for this revelry. Born an enslaved mestiza on a tobacco plantation, she has neither wealth nor title, only a scholarly pragmatism and a hunger for answers. She travels to el Carnaval de Bestias in search of her twin brother, who disappeared five years ago.

There's a world of wonder waiting for her on the shores of this legendary island, one wherein conquerors profit from Sofia's ancestral lands and her people's labor. But surrounded by her former enslavers, she finds something familiar in the performances--whispers of the island's native tongue, music and stories from her Taike'ri ancestors...a culture long hidden in the shadows, thrust into the light.

As the nights pass, her mind begins unraveling, drowning in the unnatural, almost sentient thrall of Carnaval. And the sense that someone is watching her grows. To find her brother and break free, Sofia must peel back the glamorous curtain and face those behind Carnaval, before she too loses herself to the island...

Marayrasu Stories by Edgardo Rivera Martínez, translated by Amy Olen

The first English-language collection of short stories by award-winning Peruvian author Edgardo Rivera Martínez

The stories in Marayrasu stage fantastical, mysterious encounters that belie the characters' often harsh economic and political realities as they seek belonging in modern Peru through art, music, and relationships. Depicted in poetic prose, these characters are loners, orphans, and outcasts experiencing quiet, tender encounters with other people and animals, the creative arts, and the land they find themselves depending on. Living vibrantly within these stories, the leviathan of Inca lore considers its own form, a young boy moves to a mining town and gets involved with a local union leader's fight for worker rights while feeling the powerful pull of a large mountain overlooking the town, and a Persian cat captures the attention of a family down on its luck. Amy Olen's translation smoothly captures Rivera Martínez's impressive stories, offering a unique lens into the region at the heart of this canonical author's inimitable work.

Sea Salt and Coffee Beans by Grace Santamaria

When Sofia loses her coveted job, her American dream is on the line. With her U.S. work visa hanging by a thread, a job interview at a top Miami marketing firm is her last shot at staying in the country. But as she navigates the high-stakes competition, she finds herself irresistibly drawn to her chief rival for the position—charming and ambitious Esteban.

Esteban embodies the glamorous Miami lifestyle Sofia has always admired, and he's unbothered by their rivalry. But for Sofia, everything is at stake. She can’t bring herself to tell him how much this job means to her, nor that her future depends on securing it. With her visa expiring, mounting family pressures, and bills piling up, Sofia faces an impossible choice: win the job, or risk returning to a life she fought so hard to leave behind.

Can Sofia claim the career—and the love—she longs for, or will her dreams slip through her fingers just as they're within reach?

False War by Carlos Manuel Álvarez, translated by Natasha Wimmer

An ambitious, panoptic novel about exile as both condition and state of being by a major young Cuban writer

The characters in False War are ambivalent castaways living lives of deep estrangement from their home country, stranded in an existential no-man’s land. Some of them want to leave and can’t, others do leave but never quite get anywhere.

In this multivoiced novel, employing a dazzling range of narrative styles from noir to autofiction, Carlos Manuel Álvarez brings together the stories of many people from all walks of life through a series of interconnected daisy chains. From Havana to Mexico City to Miami, from New York to Paris to Berlin, whether toiling in a barber shop, roaring in Yankee Stadium, lost in the Louvre, intensely competing in a chess hall in Cuba, plotting a theft, or on a junket for émigré dissidents in Berlin, these characters learn that while they may seem to be on the move, in reality they are paralyzed, immersed in a fake war waged with little real passion.

The fractured narrative, filled with extraordinary portraits of ordinary people, reflects the disintegration that comes from being uprooted. At the same time it is full of tenderness, moments of joy and profound release. False War confirms Carlos Manuel Álvarez as one of the indispensable voices of his generation in Latin American letters.

Iguana by Vincent Traughber Meis

Reeling from the end of a long-term relationship and the death of his parents during the COVID years, Dawson Wozniak attempts to reinvent himself in Mexico. He is able to continue his job, working remotely as an editor for a West Coast publisher. He dives into this new world, making friends with ex-pats and Mexicans, including a best-selling author who has abandoned writing, the author's wife who guides him along the path of his new life in a fun-loving seaside town, and a quirky repatriated Mexican with new-age ideals.

One night during a raging thunderstorm, Dawson has an encounter with an iguana and then steals a kiss from a young man unsure of his sexuality. A minute later the two men witness the death of a young Mexican falling from the roof of Dawson's building. These events are forever connected in his head, charting a course for a rocky relationship with Ivan, the divorced father with whom he shared the kiss. Dawson is forced to take a hard look at himself and what it means to be a foreigner in Mexico, causing him to make decisions that complicate his life and Ivan's. They are thrown into a web of emotional, psychological, and moral dilemmas. Despite the complications, Dawson believes his new life is the antidote to the unfulfilling life he left behind in the States. The enigmatic attraction between the two men finds its own tempo and they keep coming back to each other against all odds while Dawson's other friends alternate between warning him about and applauding his new relationship.

When Cubans Went to War: A Novel of Colonial Cuba by Matias Travieso-Diaz

In the second half of the nineteenth century, a wealthy Havana family undergoes a drastic lifestyle change when they move to a small provincial town at the other end of Cuba following the purchase of a sugar mill. The move becomes permanent but, over the years, the three Serrano children seek to get away: the oldest daughter, Graciela, goes to New York to free herself from the cultural bounds of Cuban society; the rebellious middle child, Carmela, elopes with a man she does not love and settles in a farm; the youngest, Alberto, goes back to Havana and becomes active in the incipient attempts to free Cuba from Spain's stifling rule. At the end, however, the three return home and meet their destinies. Throughout it all, the children's mother, Cecilia, holds the family together and manages to keep the sugar mill operating and providing tenuous support for their adventures.

"When Cubans Went to War" is an absorbing family saga that unfolds during a critical decade in Cuba's history, told against the backdrop of the rise and decline of the sugar industry, the United States civil war, the efforts to end slavery, rebellion against Spain's tyrannical regime, and social inequality among Cubans and between them and the Spanish carpetbaggers that rule the island.

Waiting for Godínez by Daniel A. Olivas

By the author of Chicano Frankenstein, this is "Waiting for Godot" in a modern retelling with Borderlands immigration and ICE in the mix. Waiting for Godínez has been workshopped in Los Angeles and New York, had a world premiere in Sacramento, California, and is being shopped to Los Angeles, Arizona, and New Mexico stages.

Olivas’s extraordinary reimagining of a classic play lays bare the destructive and brutalizing effects of the United States’ anti-immigration policy on undocumented immigrants and their families. In Waiting for Godínez, the forever-waiting characters of Estragon and Vladimir are embodied in Jesús and Isabel, two Mexican friends living in the States. Each night Immigration and Customs Enforcement agents kidnap Jesús and throw him into a cage intending to deport him. But the agents forget to lock the cage, so Jesús escapes and makes his way back to Isabel as they wait for the mysterious Godínez in a city park. At one point Isabel looks upon her exhausted friend and laments, “What harm have you done to them? You are as much of this country as you are of México. But you are not home in either place. Ni de aquí, ni de allá.”

Waiting for Godínez humanizes the plight undocumented people face in a country that both needs and disdains them. Through a darkly comic absurdist lens, it implores us to reconsider this country’s policies in light of the fact that we are all human and deserve respect and dignity as we each try to make our way in a confusing and often indifferent world.

Middle Spoon by Alejandro Varela

A whipsmart, blazingly funny novel about heartbreak, unconventional love, and the way society could be, from National Book Award finalist Alejandro Varela

The narrator of Middle Spoon appears to be living the dream: He has a doting husband, two precocious children, all the comforts of a quiet bourgeois life—and a sexy younger boyfriend to accompany him to farmers markets and cocktail parties. But when his boyfriend abruptly dumps him, he spirals into heartbreak for the first time and must confront a world still struggling to understand polyamorous relationships. Faced with the judgment of friends and the sting of rejection, he’s left to wonder if sharing a life with both his family and his lover could ever truly be possible.

With a big heart and just the right dose of the anxieties that define the modern era, Middle Spoon skewers the unspoken rules we still live by—from taboos around intimacy to the shortcomings of Oscar season, pop culture, and gluten-free food—offering a surprising perspective on love, loss, and reinvention. Equal parts heart-wrenching and uproariously funny, Middle Spoon is for anyone who has longed, nursed a broken heart, or grappled with love at its messiest.

From Cocinas to Lucha Libre Ringsides. A Latinx Comics Anthology

Edited by Frederick Luis Aldama and Angela M Sánchez

In this comics anthology full of humor and heart, writers and artists from across the US pay tribute to the ways food and sports endure as touchstones in the Latin American diaspora. In the vein of Frederick Luis Aldama's bestselling anthology Tales from la Vida, creators offer slice-of-life comics in an array of styles to capture common threads that bind this dizzyingly diverse community. From a simple quesadilla eaten hot on the way to school, to a Puerto Rican grandmother's offering of guineitos en escabeche, to a homesick Chicano punk's reverse-engineered tamales, food is a gift from elders to children, a marker of continuity and togetherness amid a dominant culture that may dismiss its flavors. Sports, too, provide a path to friendship and connection across national and language barriers, anchoring fans and participants in a sense of identity and place, whether through the perseverance of the Mayan game pok ta' pok, the unifying surge of lucha libre or soccer fandom, or a father and daughter's shared love of horse racing. Together, the creators collected in From Cocinas to Lucha Libre Ringsides share a mosaic of stories that vividly portray Latinx identity and life today.

Contributors:
Aleasha Acevedo, José Alaniz, Frederick Luis Aldama, Julio Anta, Charlene Bowles, David Bowles, Adrian Carrillo, José Cabrera, Valerie Martinez Cabrera, Mauricio Alberto Cordero, Jaime Crespo, Celeste Cruz, Ernesto Cuevas Jr., Chris Escobar, Rolando Esquivel, Tim Fielder, Dustin Garcia, Eric J. García, Jorge Garza, Oscar Garza, Lucas Gattoni, Blas Goncalves-Borrego, Estella González, Carina Guevara, Aaron Guzman, Javier Hernandez, Sam Jimenez, Eric Kittelberger, Alberto Ledesma, Pablo Leon, Darren López, Patrick Lugo, Jarred A. Luján, Eliamaría Madrid, Miguel Martinez, Paloma Martínez-Cruz, Carlos Meyer, Marisol Meyer Driovínto, Paul Meyer, Rosie Murillo, Rafael Navarro, Daniel Parada, Stephanie Nina Pitsirilos, Jazmin Puente, Raúl the Third, Anna Maria Richardson, Hector Rodriguez III, Theresa Rojas, Rafael Rosado, Andrea Rosales, Justin Rueff, Irma Ruiz, Angela M. Sánchez, Serenity Serseción, Javier Solórzano, Josh Trujillo, Cayetano Valenzuela, Diana "Dianita" Vargas Sampieri, Andrés Vera Martínez

My Train Leaves at Three by Natalie Guerrero

After her sister Nena’s sudden death, Xiomara, an Afro-Latina singer and actress born and raised in Washington Heights, is numb. With her sister gone, Xiomara, painfully close to thirty, is living in a tiny apartment with her ultra-Catholic Puerto Rican mother, and having the same shitty sex with the same shitty men that she’s been entertaining for years. Behind on rent despite two minimum-wage jobs, one of which involves singing show tunes while serving pancakes to tourists at Ellen’s Stardust Diner, Xiomara is bitingly cynical, especially in her grief, and barely treading water.

But when a once-in-a-lifetime opportunity falls into her lap—the chance to audition for Manny Santos, the most charismatic director of the moment—Xiomara sees a second chance to pursue the dream she thought she’d lost. Meanwhile, something about Santi, a new co-worker at the print shop where she spends half of her days photocopying other performers’ headshots, starts to tug at the threads of her apathy. Nothing is simple, and soon Xiomara finds herself interacting with the ugliest sides of the industry and the powerful men who control it. Sometimes the closer you are to your dreams, the further away you become from yourself, and as Xiomara grapples with this hard truth, she is forced to ask herself if she has what it takes to build a new shiny life without losing the truth of her old one.

With hopeful spirit and unapologetic energy, My Train Leaves at Three is a coming-of-age story about the balancing act between moving on and moving forward.

This Tender Geography by Cindy Williams Gutiérrez

In This Tender Geography the poet Cindy Williams Gutiérrez offers a series of carefully crafted meditations on love and loss. The poet remembers loved ones in a series of elegiac poems and offers a series of odes to dear ones that are still with her. These poems offer a chance to consider our own relationships, and to think about how we fashion, tug, tear, and sometimes mend the web of life as we traverse it. Love is what renders us alive, the poet argues; the fullness and ripeness of life arrives when we offer love and when we are loved in return. In a brilliant sequence titled, Remedies, William Gutierrez offers a variety of cures for as many ailments. For example, for "Forgetting the ancestors" she suggests a walk among weeping trees. And for "A broken heart" she advocates mending a split-rail fence. This book, full of inventive forms and gratitude, is a sort of remedy itself for when we need a dose of beauty. Thank You, Cindy, for your words, for the care and tenderness you have poured onto these pages.

Claudia Castro Luna

Author of Cipota Under the Moon and Killing Marias. Washington State Poet Laureate

Beasts of Carnaval by Rosália Rodrigo

For fans of The Night Circus, this sweeping historical fantasy set in a lush, Puerto Rico-inspired world, uses magical realism to combine Caribbean carnaval culture and the mythology of the Taíno--the Indigenous people of the region--in a gripping exploration of community, reclamation, and healing in defiance of a violent past.

When night descends, el Carnaval de Bestias rises.

Sofía, a freedwoman from a nearby colonized island, cares little for this revelry. Born an enslaved mestiza on a tobacco plantation, she has neither wealth nor title, only a scholarly pragmatism and a hunger for answers. She travels to el Carnaval de Bestias in search of her twin brother, who disappeared five years ago.

There's a world of wonder waiting for her on the shores of this legendary island, one wherein conquerors profit from Sofia's ancestral lands and her people's labor. But surrounded by her former enslavers, she finds something familiar in the performances--whispers of the island's native tongue, music and stories from her Taike'ri ancestors...a culture long hidden in the shadows, thrust into the light.

As the nights pass, her mind begins unraveling, drowning in the unnatural, almost sentient thrall of Carnaval. And the sense that someone is watching her grows. To find her brother and break free, Sofia must peel back the glamorous curtain and face those behind Carnaval, before she too loses herself to the island...

The Influencers by Anna-Marie McLemore

“Mother May I” Iverson has spent the past twenty-five years building a massively successful influencer empire with endearing videos featuring her five mixed-race daughters. But the girls are all grown up now, and the ramifications of having their entire childhoods commodified start to spill over into public view, especially in light of the pivotal question: Who killed May’s newlywed husband and then torched her mansion to cover it up?

April is a businesswoman feuding with her mother over intellectual property; twins June and July are influencers themselves, threatening to overtake May’s spotlight; January is a theater tech who steers clear of her mother and the limelight; and the youngest . . . well, March has somehow completely disappeared. As the days pass post-murder, everyone has an opinion—the sisters, May, a mysterious “friend of the family,” and the collective voice of the online audience watching the family’s every move—with suspicion flying every direction.

A campy and escapist exploration of race, gender, sexuality, and class, The Influencers is an evisceration of influencer culture and how alienating traditional expectations can be, ripe for the current moment when the first generation of children made famous by their parents are, now, all grown up—and looking for retribution.

2000 Years of Mayan Literature by Dennis Tedlock

Mayan literature is among the oldest in the world, spanning an astonishing two millennia from deep pre-Columbian antiquity to the present day. Here, for the first time, is a fully illustrated survey, from the earliest hieroglyphic inscriptions to the works of later writers using the Roman alphabet. Dennis Tedlock-ethnographer, linguist, poet, and award-winning author-draws on decades of living and working among the Maya to assemble this groundbreaking book, which is the first to treat ancient Mayan texts as literature. Tedlock considers the texts chronologically. He establishes that women were among the ancient writers and challenges the idea that Mayan rulers claimed the status of gods. 2000 Years of Mayan Literature expands our understanding and appreciation not only of Mayan literature but of indigenous American literature in its entirety.

The Search Committee by José Skinner

JOSÉ SKINNER is the author of two short story collections, The Tombstone Race (University of New Mexico Press, 2016) and Flight and Other Stories (University of Nevada Press, 2001). His fiction and translations have appeared in Quarterly West, Colorado Review, Other Voices, Bilingual Review, Puerto del Sol and many other literary journals. His nonfiction appears in anthologies such as Speaking desde las heridas: Transborder Testimonies (UNAM) and Our Lost Border: Essays on Life Amid the Narco-Violence (Arte Público). A graduate of the Iowa Writers' Workshop with an MFA in fiction, he was a professor of literature and creative writing at the University of Texas-Pan American and director of its bilingual MFA in Creative Writing. He now lives in Austin, Texas, where he and his wife run the bookstore Alienated Majesty.

Salt Bones by Jennifer Givhan

At the edge of the Salton Sea, in the blistering borderlands, something is out hunting. . .

Malamar Veracruz has never left the dust-choked town of El Valle. Here, Mal has done her best to build a good life. She’s raised two children, worked hard, and tried to forget the painful, unexplained disappearance of her sister, Elena. When another local girl goes missing, Mal plunges into a fresh yet familiar nightmare. As a desperate Mal hunts for answers, her search becomes increasingly tangled with inscrutable visions of a horse-headed woman, a local legend who Mal feels compelled to follow. Mal’s perspective is joined by the voices of her two daughters, all three of whom must work to uncover the truth about the missing girls in their community before it's too late.

Combining elements of Latina and Indigenous culture, family drama, mystery, horror, and magical realism in a spellbinding mix, Salt Bones lays bare the realities of environmental catastrophe, family secrets, and the unrelenting bond between mothers and daughters.

City of Smoke and Sea by Malia Marquez

Queenie Rivers was raised by her grandparents in coastal Los Angeles. As she approaches thirty, her erratic lifestyle is forced back on course by a car accident and her grandmother's intervention.

But her recovery is interrupted by a break-in and Gran's death. Gran's last act was to set Queenie up with a job at an upscale seaside bistro with a shady reputation--the owner of which, it turns out, was once a close friend. As Queenie digs into Gran's past for answers about the break-in, the murder, and the unnerving circumstances surrounding the restaurant and her new boss, she discovers that her grandmother, a Romani Holocaust survivor, kept many secrets, some of them otherworldly--secrets that become hers to unravel when she becomes a suspect in Gran's murder case.

The Influencers, A Novel by Anna-Marie McLemore

What do you really know about the people you’ve made famous?

Lamentations of Nezahualcóyotl: Nahuatl Poems Nezahualcóyotl (Author), Cuauhtémoc Wetzka (Illustrator), Ilan Stavans (Translator)

From award-winning author, editor, and translator Ilan Stavans comes a one-of-a-kind retelling of a legendary Aztec ruler's timeless verses.

A king, a warrior, and a poet, Nezahualcóyotl was a revolutionary ahead of his time. Born in 1402, the ruler--whose name means 'hungry coyote' in the Uto-Aztecan language of Nahuatl--led the city-state of Texcoco through its age of enlightenment. His four-decade reign was among the most transformative and prosperous eras of the Aztec Empire. Today he is a hero in Mexico, seen as a mysterious, powerful, anti-colonial figure.

Brimming with longing, this epic collection of songs and poems was composed by Nezahualcóyotl with members of his illustrious court. Six centuries later, in a powerful translation by Ilan Stavans and with new illustrations by Cuauhtémoc Wetzka, twenty-two poems bring to life a young warrior's journey from exile to historical legend. Anguished and unforgettable, Lamentations of Nezahualcóyotl will thrill readers of Latin American literature for years to come.

Guatemalan Rhapsody by Jared Lemus

A vibrant debut story collection—poignant, unflinching, and immersive—masterfully moving between sharp wit and profound tenderness, Guatemalan Rhapsody offers a kaleidoscopic portrait of an ever-changing country, the people who claim it as home, and those who no longer do.

Ranging from a custodian at an underfunded college to a medicine man living in a temple dedicated to San Simon, the patron saint of alcohol and cigarettes, the characters in these stories find themselves at defining moments in their lives, where sacrifices may be required of them, by them, or for them.

In “Saint Dismas,” four orphaned brothers pose as part of a construction crew, stopping cars along the highway and robbing anyone foolish enough to hit the brakes. In “Heart Sleeves,” two wannabe tattoo artists take part in a contest, where one of them hopes to win not only first place but also the heart of his best friend’s girlfriend. And, in “Fight Sounds,” a character who fancies himself a Don Juan is swept up in the commotion of an American film crew shooting a movie in his tiny town, until the economic and sexual politics of the place are turned on their head.

Across this collection, Lemus’s characters test their loyalty to family, community, and country, illuminating the ties that both connect us and constrain us. Guatemalan Rhapsody explores how we journey from the circumstances that we are forged by, and whether the ability to change our fortunes lies in our own hands or in those of another. Revealing the places where beauty, desperation, love, violence, and hope exist simultaneously, Jared Lemus’s debut establishes him as a major new voice in the form.

El Hermano by Carmen Baca

This is a new edition of the prized novel about life in early twentieth century New Mexico. Between the World Wars in remote mountain hamlets and villages, the people's religious well-being is looked after by a Cofradía, a brotherhood, also known as Penitentes for their austere rituals, some of which were done in secret. El Hermano takes place during the forty days of Lent in 1928 as José and his cousins conspire to spy on one of the brotherhood's secret rituals to see what lies ahead for them as novices. José knows his time to join the cofradías (of which his own father is Hermano Mayor) is near, but having seen Hermanos who appear to be in pain after a night spent at the morada, a meeting house and chapel, and having heard stories about those who even died in the past because of whatever went on within the sacred structure, his fear guides him to join his cousins in their clandestine scheme. Little do they know, certain New Mexican legends conspire against them; La Muerte, Saint Death, warns José to leave his future unknown, a ball of fire thought to be a witch crosses their path, and even la Llorona, ghost of the Weeping Woman, and El Diablo, the Devil make an appearance.

Alligator Tears by Edgar Gomez

In Florida, one of the first things you’re taught as a child is that if you’re ever chased by a wild alligator, the only way to save yourself is to run away in zigzags. It’s a lesson on survival that has guided much of Edgar Gomez’s life.

Like the night his mother had a stroke while he and his brother stood frozen at the foot of her bed, afraid she’d be angry if they called for an ambulance they couldn’t afford. Gomez escaped into his mind, where he could tell himself nothing was wrong with his family. Zig. Or years later, as a broke college student, he got on his knees to put sandals on tourists’ smelly, swollen feet for minimum wage at the Flip Flop Shop. After clocking out, his crew of working-class, queer, Latinx friends changed out of their uniforms in the passenger seats of each other’s cars, speeding toward the relief they found at Pulse nightclub in Orlando. Zag. From committing a little bankruptcy fraud for the money for veneers to those days he paid his phone bill by giving massages to closeted men on vacation, back when he and his friends would Venmo each other the same emergency twenty dollars over and over. Zig. Zag. Gomez survived this way as long as his legs would carry him.

Alligator Tears is a fiercely defiant memoir-in-essays charting Gomez’s quest to claw his family out of poverty by any means necessary and exposing the archetype of the humble poor person for what it is: a scam that insists we remain quiet and servile while we wait for a prize that will always be out of reach. For those chasing the American Dream and those jaded by it, Gomez’s unforgettable story is a testament to finding love, purpose, and community on your own terms, smiling with all your fake teeth.

Our Grandfathers Were Braceros and We Too... by Rosa Martha Zarate Macias and Abel Astorga Morales

"OUR GRANDFATHERS WERE BRACEROS AND WE TOO," is an excellent work of tremendous relevancy for our times, given its focus on the issue of migration and, above all, for keeping the struggle alive against the violations of labor and human rights seen in temporary worker programs. Authors Abel Astorga Morales and Rosa Martha Zárate Macías share an intense, painful chronical with us, but one that is also full of the lessons handed down by peasants and indigenous peoples who participated in the Bracero Program between 1942 and 1964. This book faithfully compiles the historic memory and testimonies of Braceros living in the United States, setting a momentous precedent that the Mexican population in the country to the North will have in the twenty-first century.

The majority of protagonists of this history have now departed, without recovering the fruits of so many years of their labor, while a few survivors and family members still wait for justice to be done. As a people, they have grown and developed in the North, and have real possibilities for making a social, political, economic, spiritual, and cultural impact.

- Father José Alejandro Solalinde Guerra

The Death of Artemio Cruz by Carlos Fuentes

As the novel opens, Artemio Cruz, the all-powerful newspaper magnate and land baron, lies confined to his bed and, in dreamlike flashes, recalls the pivotal episodes of his life. Carlos Fuentes manipulates the ensuing kaleidoscope of images with dazzling inventiveness, layering memory upon memory, from Cruz's heroic campaigns during the Mexican Revolution, through his relentless climb from poverty to wealth, to his uneasy death. Perhaps Fuentes's masterpiece, The Death of Artemio Cruz is a haunting voyage into the soul of modern Mexico.

Blessings in Disguise by J.P. Baca

Joseph Baca's story of growing up in Las Vegas, New Mexico brings to light the effect of an abusive father on a family of nine children, all of whom must learn how to survive and defend themselves against a parent who is an alcoholic and who mistreats every member of the family. The community acts in a neutral way, (as was the accepted custom back in the 50's), by turning away from the crisis. Often, help comes from relatives who step in and help the children both understand and cope with the drinking, yelling, anger and abuse of a father who sometimes comes close to seriously injuring or killing his own children through his physical abuse. From this time of early sorrow and suffering, Joseph grows up, falls in love with a wonderful young woman, gets married and becomes enlightened studying world religion, practicing daily prayer and opening his eyes to his inner spiritual strength and force that has always been there for him. This story would be amazing just for Joseph's struggle and his rise to a place of self-empowerment, but it is much more than that. He becomes a successful business entrepreneur in his community and on top of this achievement, wins a $1,000,000 New Mexico lottery and puts the money to extraordinary good use by investing it into his radio business ventures and his community. This is a book for our time and our times. It will give you chills, butterflies and perhaps even a glorious awakening of your own. It is a story of adversity and the faith that no matter what happens to bring you down in life, you can bring yourself back up with love, faith and a strong belief in yourself. You can also learn to forgive, and in doing so, discover the greatest reward of all. The realization that trials and tribulations in one's life don't necessarily have to be accepted as negative experiences that linger on through adulthood to eventually destroy one's life, family and spirit. Early childhood experiences are only negative if we perceive them as such. Dr. Wayne W. Dyer states the following in one of his books: "Change the way you look at things, and the things you look at change."

Tiny Threads by Lilliam Rivera

In this sinister, slow-burn novel of supernatural suspense, a young woman gets her dream job working for a famous designer--and discovers the dark side of high-stakes fashion. Fashion-obsessed Samara finally has the life she's always dreamed of: A high-powered job with legendary designer Antonio Mota. A new home in sunny California, far away from those drab Jersey winters. And an intriguing love interest, Brandon, a wealthy investor in Mota's fashion line.
But it's not long before Samara's dream life begins to turn into a living nightmare as Mota's big fashion show approaches and the pressure on her turns crushing. Perhaps that's why she begins hearing voices in her room at night--and seeing strange things that can't be explained away by stress or anxiety or the number of drinks she's been consuming.
And it may not be just Samara imagining things as her psyche unravels, because she soon discovers hints that her new city--and the House of Mota--may be built on a foundation of secrets and lies. Now Samara must uncover what hideous truths lurk in the shadows of this illusory world of glamour and beauty before those shadows claim he

1859: The Calm Before the Storm by Matias Travieso-Diaz

In its final days, the Spanish Empire's heavy hand touches everything in Cuba, one of its last remaining colonies in the Americas. Some benefit from the corruption, inequality, and slave-based economy; but many in the island are chafing under the Spanish rule and hoping for a better, freer world. This is one Cuban family's story during this turbulent time.

Season of the Swamp by Yuri Herrera

A major new novel set in nineteenth-century New Orleans by the author of Signs Preceding the End of the World

New Orleans, 1853. A young exile named Benito Juárez disembarks at a fetid port city at the edge of a swamp. Years later, he will become the first indigenous head of state in the postcolonial Americas, but now he is as anonymous and invisible as any other migrant to the roiling and alluring city of New Orleans.
Accompanied by a small group of fellow exiles who plot their return and hoped-for victory over the Mexican dictatorship, Juárez immerses himself in the city, which absorbs him like a sponge. He and his compatriots work odd jobs, suffer through the heat of a southern summer, fall victim to the cons and confusions of a strange young nation, succumb to the hallucinations of yellow fever, and fall in love with the music and food all around them. But unavoidable, too, is the grotesque traffic in human beings they witness as they try to shape their future.
Though the historical archive is silent about the eighteen months Juárez spent in New Orleans, Yuri Herrera imagines how Juárez's time there prepared him for what was to come. With the extraordinary linguistic play and love of popular forms that have characterized all of Herrera's fiction, Season of the Swamp is a magnificent work of speculative history, a love letter to the city of New Orleans and its polyglot culture, and a cautionary statement that informs our understanding of the world we live in.

New Testaments: Stories by Dagoberto Gilb

Dagoberto Gilb's latest cast of characters includes a young family whose exposure to a mysterious cloud of gas alters their lives forever; a high school dropout whose choice to learn the ways of the world from the adults at work leads him into a dangerous dalliance; a former high-rise carpenter who meets up with an eager old flame; an aging Chicano, living alone, whose children watch over him for signs of decline; and more. Gilb's distinct narrative voice offers his readers a warm welcome as he peels back the surface of everyday life to seamlessly guide us into realms of of myth and fable.

Mystical Moments & Magical Encounters by Carmen Baca

Spirits, angels, saints, talking boxes, trees, journals and more live in the pages of this eclectic and esoteric mix of reality and imagination. Ephemeral and eternal worlds meet in the Land of Enchantment through mystical moments and magical encounters. Baca weaves old world traditions, ancestral rituals, cultural customs, and archaic superstitions with the beliefs and spirituality of an insular people known as los Norteños.

Pulling threads from her family’s history and from her own encuentros with the unexplained, Baca offers perspectives about what such tiny fabrics of time might be: are we perhaps visited by the dead? What inspires those wrong place or right time instances which change our lives’ direction? Do miracles exist? Fate? Design or free will? Stitching fact with fiction, Baca hooks readers into exploring possibilities.

She asks, “Have you ever had a moment, a feeling, that you’re in the presence of…of… something for which there is no rational explanation? I’ve felt them; haven’t you? A sudden chill, a presentiment, / A strange sensation awakens. / A whiff of a nostalgic scent, / A fleeting blur in the corner of the eye, a rise or fall of the / Temperature or a breath of wind in the face so sudden / We wonder if we imagine them. We know who they are.”

Old California Strikes Back by Scott Russell Duncan

Old California Strikes Back is a modern Ramona Diary, the record tourists kept of the sites of Old California and the book Ramona and Hollywood movies that renamed and transformed them. A mix of fantasy and memoir, the author SRD's tour turns surreal as he enters the myths of the Californios with the talking head of the Chicano folk hero Joaquin Murrieta. They race a self-styled Zorro to get the spurious Jewels of Ramona while the media is convinced SRD and Joaquin are the serial killer dubbed Two-Heads. Ultimately, SRD records his truth and recreates a reality where he may exist.

Tías and Primas: On Knowing and Loving the Women Who Raise Us by Prisca Dorcas Mojica Rodríguez

From the author of For Brown Girls with Sharp Edges and Tender Hearts, a celebration of the women at the heart of Latine families

Born into a large, close-knit family in Nicaragua, Prisca Dorcas Mojica Rodríguez grew up surrounded by strong, kind, funny, sensitive, resilient, judgmental, messy, beautiful women. Whether blood relatives or chosen family, these tías and primas fundamentally shaped her view of the world--and so did the labels that were used to talk about them. The tía loca who is shunned for defying gender roles. The pretty prima put on a pedestal for her European features. The matriarch who is the core of her community but hides all her pain.

In Tías and Primas, the follow-up to her acclaimed debut For Brown Girls with Sharp Edges and Tender Hearts, Mojica Rodríguez explores these archetypes. Fearlessly grappling with the effects of intergenerational trauma, centuries of colonization, and sexism, she attempts to heal the pain that is so often embodied in female family lines.
Tías and Primas is a deeply felt love letter to family, community, and Latinas everywhere.

Not the Killing Kind by Maria Kelson

This gripping, high-stakes debut thriller about the lengths mothers will go to protect their children is perfect for fans of Wanda M. Morris and Jess Lourey.

Boots Marez is a Latina single mother raising a headstrong and sly eighteen-year-old boy she adopted six years ago. She also runs a school that helps the undocumented people in her politically divided town in Northern California. When her son Jaral is jailed for the murder of one of her former students, her world is turned upside down.

Struggling to protect her son, Boots has to spotlight a community used to living in the shadows, putting her hard work over the years in doubt. Meanwhile, a vicious parents' board wants to trash her ideals and oust her from the school she helped build. As she faces increasing danger to clear her son's name, she must decide how far she is willing to go to bring her son home.

But nothing is as it seems--Jaral has been keeping secrets from her after all. And as she puts the missing pieces together, she will discover a deeper and darker web of lies that has been hiding in plain sight.

The Blue Mimes: Poems by Sara Daniele Rivera

Sara Daniele Rivera's award-winning debut is a collection of sprawling elegy in the face of catastrophic grief, both personal and public. From the lead-up to the 2016 presidential election through the COVID-19 pandemic, these poems memorialize lost loved ones and meditate on the not-yet gone--all while the wider-world loses its sense of connection, safety, and assurance. In those years of mourning, The Blue Mimes is a book of grounding and heartening resolve, even and especially in the states of uncertainty that define the human condition.

Rivera's poems travel between Albuquerque, Lima, and Havana, deserts and coastlines and cities, Spanish and English--between modes of language and culture that shape the contours of memory and expose the fault lines of the self. In those inevitable fractures, with honest, off-kilter precision, Rivera vividly renders the ways in which the bereft become approximations of themselves as a means of survival, mimicking the stilted actions of the people they once were. Where speech is not enough, this astonishing collection finds a radical practice in continued searching, endurance without promise--the rifts in communion and incomplete pictures that afford the possibility to heal.

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